Indus Script and Indus Valley Astronomy

[N.S.VALLUVAN.]

Please Refer the URL:

http://murugan.org/research/valluvan.htm

Thanks & Regards,
N.S.VALLUVAN.

[Vesko]

Hello, N. S. Valluvan, and welcome to the forum!

Thank you for your link and your research article. Seeing the following symbols in it



and reading the following,

Part C: Kanaga sign read as 'Mu'

The structural relationship between the Kanaga sign, Indus sign and Indus rock art sign shows a remarkable resemblance. All these variations represent a symbol for space and time and a source of life energy, which is none other than the sun itself.

The Kanaga sign is a religious symbol of the Dogon people of West Africa and worn by the male members as masks during the funerary dance rituals to satisfy the spirit of a dead person. The Kanaga sign stands for the primordial energy and acts as a mediator between earth and heaven. In Indus rock art this Kanaga sign is identified as Kadavul, the name for God in Tamil (S. Gurumurthy, 1999) and it is also a symbol of cosmic Purusha which is drawn in the exteriors of houses as an auspicious symbol in southern India.

The Indus anthropomorphic figure is represented by the Kanaga sign and can be interpreted as the symbol for a primordial God and a Lord of space and time with an astronomical meaning primarily denoting the three positions of the sun with its north, east, south directions over the yearly motions. This sign may explain various time periods and also other celestial positions.

The syllable 'mu', which forms the root of the word Murukan, is the name of the God for the Tamil language and explained as a Lord of space and time. 'Mu' also forms the root for the Tamil word moondru, which is the name for the numeral denoting three. The Lord Murukan is also called as Kanta Vel. The root syllables mu and ka both refer to Murukan and the sun. The Egyptian word 'ka' denotes the spirit or soul and the Kanaga sign represents the pivotal three positions occupied by the sun during the equinoxes and the solstices in the sky.

The Indus sign sequence No. 4632 00, can be interpreted as the Lord of Space and Time is in the sky (see part F, No. 5) which is read as 'muvan'.

I have judged, by the writings of James Churchward, that the three-pointed designs in the upper part of all the three symbols, and the lower parts of the first and the third symbol, all symbolise the geographical position of Mu (note symbol 21 on p.166 of the "Lost Continent of Mu", for example). Geographical position, because according to Churchward's books and to Desmarquet's book, the continent of Mu had been actually comprised of 3 separate continents -- obviously separated by water (Churchward writes it was by narrow channels or seas). It is notable that the second symbol has a two-pronged bottom. Page 41 of the "Addendum" of "The Lost Continent of Mu" describes the 8th element (sub-symbol) on page 40 as "dividing forces" -- forces that destroy everything that passes between them. Symbol 3 on page 178 of the same book has the same two-pronged design on the bottom, and is explicitly said to mean the same (going down and destruction). Same for symbol 22 on page 207 of the book "The Sacred Symbols of Mu". For the second and the third symbol, we also notice the underlying cross sign. The cross is a symbol for the "Sacred Four" -- the four universal forces directly coming from the creator in the center (the center of the cross), those are mentioned by Desmarquet's book, too. (BTW, this is the real interpretation of the cross symbol -- the Christian one is nothing but the same much much older symbol, coming from Mu.) The horizontal rectangle part of the cross is also a symbol for Mu (symbol 7, page 7, "The Lost Continent of Mu"), and at the same time symbolizes land in general. Based on the analysis so far, the second symbol definitely appears to mean that Mu, the sacred land of three continents, has been destroyed by the forces of Nature by sinking beneath the surface (the surface of the ocean).
The following is primarily my speculation: it seems to me that lower parts of the first and the the third symbols have "Mu" inverted so that it is noted the direction Mu went is down. Also, in the third symbol the distance between the center of the cross and the start of the lower three-pointed figure is larger than the distance between the center of the cross and the start of the upper three-pointed figure -- to me, that means that Mu has sank deep, as opposed to Mu being not much above the surface of the Earth before the destruction took place.

It is interesting that the article mentioned Southern India -- the Nagas (coming from Mu, explicitly stated by Churchward, implicitly by Desmarquet) have colonised Southern Asia, i.e. Southern India, and obviously their culture and influence spread to India as a whole, too. Regarding the fact that the first (the "Kanaga" symbol) is from Africa, from Desmarquet's book we read that the Mayas, who had come from Mu and from the west, travelled through North Africa before reaching Egypt. Contrary to them, the Nagas, had come from the east, and seem to had never gone to other parts of Africa except (and before reaching) Egypt. Then the Kanaga symbol being a Western African symbol, must be a Mayan symbol.

Thanks again for your research article -- more info to consider, remember and compare . I hope my comment was helpful to you in some way, too.